Albert Barnes Commentary Revelation 18:22

Albert Barnes Commentary

Revelation 18:22

1798–1870
Presbyterian
Albert Barnes
Albert Barnes

Albert Barnes Commentary

Revelation 18:22

1798–1870
Presbyterian
SCRIPTURE

"And the voice of harpers and minstrels and flute-players and trumpeters shall be heard no more at all in thee; and no craftsman, of whatsoever craft, shall be found any more at all in thee; and the voice of a mill shall be heard no more at all in thee;" — Revelation 18:22 (ASV)

And the voice of harpers. Those who play on the harp. This music was usually accompanied with singing. The idea in this verse and the following is substantially the same as in the previous parts of the chapter: that the mystical Babylon—Papal Rome—would be brought to utter desolation. This thought is presented here in another form—that everything that constituted festivity, joy, and amusement, and everything that indicated thrift and prosperity, would disappear. Naturally, in a great and festive city there would be all kinds of music; and when it is said that this would be heard there no more, it is a most striking image of utter desolation.

And musicians. Musicians in general; but perhaps here singers, as distinguished from those who played on instruments.

And of pipers. Those who played on pipes or flutes (see 1 Corinthians 14:7; Matthew 11:17).

And trumpeters. Trumpets were common instruments of music, employed on festive occasions, in war, and in worship. Only the principal instruments of music are mentioned here, as representatives of the rest. The general idea is that the sound of music, as an indication of festivity and joy, would cease.

Shall be heard no more at all in you. It would become utterly and permanently desolate.

And no craftsman, of whatsoever craft. That is, artisans of all kinds would cease to practice their trades there. The word used here — tecnithv — would include all artisans or mechanics, and all who were engaged in any kind of trade or craft. The meaning here is that all these would disappear; an image, of course, of utter decay.

And the sound of a millstone shall be heard no more. Taylor (Frag. to Cal. Dic. vol. iv. p. 346) supposes that this may refer not so much to the rattle of the mill as to the voice of singing which usually accompanied grinding. The sound of a mill is cheerful and indicates prosperity; its ceasing is an image of decline.