Charles Ellicott Commentary Psalms 29:9

Charles Ellicott Commentary

Psalms 29:9

1819–1905
Anglican
Charles Ellicott
Charles Ellicott

Charles Ellicott Commentary

Psalms 29:9

1819–1905
Anglican
SCRIPTURE

"The voice of Jehovah maketh the hinds to calve, And strippeth the forests bare: And in his temple everything saith, Glory." — Psalms 29:9 (ASV)

Maketh the hinds to calve. — Literally, makes the hinds writhe (with pain). (See margin. Compare to Job 39:1, where the hind’s habit of hiding its young for safety is alluded to, a habit which the violence of the storm makes it forget.) Both Plutarch and Pliny notice the custom of shepherds to collect their flocks during a thunderstorm, for those that are left alone and are separated are apt, through terror, to prematurely give birth.

Discovereth the forests. — The word “discovereth” comes from the Septuagint and Vulgate. Literally, peels or strips—the effects both of wind and lightning. Passing over the sands of the Arabah, the storm has reached the “acacias and palms and vegetation which clothe the rocks of granite and porphyry in the neighbourhood of Petra.” Forests may seem rather a large word for such vegetation, but Stanley remarks of the Arabah that “the shrubs at times give it almost the appearance of a jungle.” Similar effects of a storm upon a forest are described by Tennyson in Vivien:

“Scarce had she ceased when out of heaven a bolt
(For now the storm was close above them) struck,
Furrowing a giant oak, and javelining
With darted spikes and splinters of the wood
The dark earth round. He raised his eyes and saw
The tree that shone white-listed through the gloom.”

In his temple. — Better, in his palacethat is, the heavenly palace, as in Psalm 11:4; Psalms 18:6. (See Psalm 29:1.) The angelic spectators of the magnificent drama enacted below them cry (not merely speak of, as in the Authorised Version, but utter the word) each one, “Glory,” obeying the poet’s invocation in the prelude.

Notice that the effect of the storm on men is supposed to be all summed up in the poet’s own attitude of listening awe. There is no actual mention of this part of creation; but one feels from the poem that while inanimate nature trembles and suffers, and the godlike intelligences of heaven are engaged in praise, man listens and is mute.