Charles Ellicott Commentary Revelation 15

And I saw another sign in (the) heaven. (Revelation 15:1)—The sign is, as we noticed before (Revelation 12:1), a token, not a mere empty wonder. This sign is called great and marvellous; it introduces a new set of scenes; the same characters will reappear, but we must start with fresh attention.

The seer sees seven angels (not “the seven angels; ” it is perfectly needless to ask what angels, or to try to identify them with the trumpet angels) having seven plagues, the last, because in them is completed the wrath of God. (Revelation 15:1). The statement that these are the last plagues seems to show that the set of visions now commencing carry us down to the end of the age; there are no other plagues after these: they are the last plagues; the vials, like the seals and the trumpets, run up to the final consummation.

They are plagues; the word carries us back to Egypt: on Egypt fell the ten plagues which displayed God’s righteous power, and exposed the hollow pretensions of the magicians and their gods; the wild beast-power and the false prophet-power of that day was crippled and exposed. In like manner upon the wild beast-power of later ages the plagues of God fall.

They are plagues, because they are sent forth, not like the trumpets to warn men to repent, but upon those who have obstinately refused to return; they are not goads to the wavering, but they are strokes upon the willful and hardened; they are directed against those who are deliberately hostile.

And I saw as it were a sea of glass mingled with fire.—The wild beast rose out of the sea (Revelation 13:1); the evil-hearted woman sits upon many waters (Revelation 17:1). They draw strength from the wild, ungoverned, and short-sighted impulses of human passion. In opposition to this, near the throne of God is the calm and translucent sea of God’s counsels of righteousness and love, now clear as crystal, now ruddy with the fire of righteous indignation, the expression of His eternal will against sin. Such is the appearance of this glass-like sea now that the angels of the plagues are going forth.

But the seer saw more than this fire-flushed sea. He also saw those who are victorious over the wild beast. These he describes (such is the literal translation) as those who conquer out of the wild beast, and so on. They come off conquerors out of the struggle, and they escape from the temptation to worship his image and wear the badge of his service; they “escape victorious from” his image and from his mark. When he sees these, they are standing upon (that is, on the shore of) the sea of glass, holding harps of God.

We have had the harps mentioned previously (Revelation 5:8; Revelation 14:2); it is appropriate. The life that has been a discord to the world rises into true music before God; those who wish to make their life a melody must first take it as a conflict. The harps they hold are called harps of God, not merely because they are dedicated to Him, but because they are truly God’s. All the most glorious and noble things in nature were named God’s: the lofty trees were “trees of God”; the high-piled mountains were “mountains of God”; so also the harps that strike forth the richest music are “harps of God.”

Nor is this a mere phrase to be considered as equivalent to very great or very glorious; great and glorious the trees, hills, and harps are, but only a prosaic or a profane mind can be satisfied with such a naked equivalent. The godly saw the hand of God in these things; and St. John knows that the noblest melody in the ears of God is the noble life of faith, suffering, and love.

The power of such a life is in God, not in itself (John 15:5; Galatians 2:20), and the music of such a life is music that God makes (2 Corinthians 4:7–10), drawing the sweetest tones from the strings that are smitten with pain and sorrow; and as its life’s music is God-taught, so does its song of triumph sound from a harp not its own, but God’s. If our power to sing in trial here a song worthy of God is only found in God, so will the songs of heaven be sweet only in Him, for those who dwell there shall be all taught of Him.

And they sing the song of Moses the servant of God, and the song of the Lamb.—They join their voices to the music of their harps. The song of Moses was a paean of victory over Pharaoh and his hosts (Exodus 14:26–31; Exodus 15:1–21). Israel stood on the margin of the Red Sea and saw the tokens of the overthrow of the great world-power of that day; so these saints stand by the border of the sea of glass mingled with fire, and sing the song of triumph over the doom of the great world-powers of every age.

The cases are parallel, the songs are alike; and it would not be out of place if the words of that other song of Moses, the man of God, were to be heard from those who are made glad according to the days of their affliction, and who are clothed with the beauty of the Lord their God (Psalms 90:1; Psalms 90:15; Psalms 90:17).

They also sing the song of the Lamb. The Apocalypse is full of Christ; the Lamb is the axis on which the world of its scenery moves; He is the key of earth’s history; the victory of the saints is in Him (Revelation 12:11); their song of triumph is of Him who put a new song in their mouth and in whom all things are reconciled (Ephesians 1:10; Philippians 2:10–11).

On verses 3-4:

Great and marvellous are thy works...—The song is better thus translated:—

“Great and marvellous are Thy works,
Lord God Almighty.
Just and true are Thy ways,
Thou King of the nations.
Who will not fear, O Lord, and glorify Thy name?
Because Thou only art holy:
Because all the nations shall come and worship
in Thy presence:
Because Thy judgments were manifested.”

The works are called “great;” the “ways” are called just and true. It is not mere marvel which calls forth the song of praise, but righteousness, truth, and holiness. The Almighty is the righteous ruler. The English version has “King of saints;” the reading should be “King of the nations” or else, perhaps, “King of the ages.” The latter reading harmonizes well with the immediate context and with the other passages, which link the thought of “the ages” with the “righteous dealings” of God. “Thy righteousness is an everlasting righteousness, and thy law is the truth” (Psalms 119:142; Psalms 119:151–152; Psalms 119:160).

But the former is to be preferred; it is appropriate in a song which celebrates a victory over those who vaunted themselves as the princes of this world, and which proclaims the submission of the nations to God; and it seems to have been transplanted here from Jeremiah (Jeremiah 10:7): “Who would not fear thee, thou King of the nations?” The song celebrates the noble acts of the Lord; it declares them to be great; but it is not their greatness, it is their righteousness and faithfulness which calls forth the grateful praise.

The long days of oppression, and the seeming silence of the Almighty, when the prayer and cry “How long?” has risen from perplexed and suffering saints, have brought the temptation of the psalmist: “I have cleansed my heart in vain” (Psalms 73:3–13). But now the righteous acts of the Lord are manifested; now it is acknowledged that “verily there is a reward for the righteous; verily He is a God that judgeth in the earth” (Psalms 58:11). Though clouds and darkness have sometimes been round about Him, it is now beyond doubt that “righteousness and judgment are the habitation of His throne” (Psalms 97:2).

Who shall not fear...—Rather, Who will not fear, etc. (the word “You” should be omitted, because You are holy. The word rendered “holy” is not that which is usually employed when the holiness of God is spoken of; it is a word which, when applied to men, denotes one who reverences the sacred obligations of natural and moral order, apart from the thought of mere law or custom.

The word is applied here, and in Revelation 16:5, to God, and denotes the recognition of those sacred obligations which the character of God, if I may say so with reverence, imposes upon Himself. It is the remembrance that God will, as Judge of all the earth, do right, and will vindicate the expectations of those who trust in His character, which generates a holy fear of Him.

All nations shall come and worship...—Translate, All the nations worship, because Your judgments (or, righteous acts) are manifested. The song is one in anticipation. The angels of judgment are going forth; the righteous dealings of God will be seen; but these things are spoken of as though accomplished: their completion is a divine certainty.

And after that . . .—Better, And after these things I saw, and there was opened the temple of the tabernacle of the testimony (or, witness) in the heaven. This temple is called the temple of the tabernacle of the testimony; the expression sounds cumbersome, but it is nevertheless suitable.

Saint Stephen spoke of the tabernacle of witness in the wilderness, which was made after the pattern shown on the mountain (Acts 7:44). The tabernacle was rightly called the tabernacle of witness, for it contained the ark of the testimony with the Law of God, and was a perpetual witness of God’s presence among His people. The temple of the tabernacle then is the shrine, or inner sanctuary, of the heavenly true tabernacle, after the pattern of which the tabernacle of Moses was fashioned, which is now opened.